This work is a "prolegomena to the study of evil," the beginning of a more ambitious project designated by the author an "ideational critique of society." Such an endeavor would include a "rhetoric that grasps the structures of consciousness, the phenomenology of history, and the dramaturgy of contemporary scenes." The bulk of the present study constitutes an essay in phenomenological sociology. Each of the seven deadly sins is insightfully described in terms of its dominant features as well as in relation (...) to and distinction from allied or similar phenomena. Significantly, the presiding intellectual presences are as often Homer, Augustine, Gregory the Great, and Aquinas as more contemporary ones such as Simmel, Marx, Weber, and Freud. The scope and sensitivity of the author is further manifested in his illuminating use of literary figures including Dante, Shakespeare, Chekhov, and Artaud. Lyman maintains that "sin has been neglected by sociology" and views this work as a first step in remedying such neglect. At the outset he states that he is not offering a way out of or elimination of evil nor the promise of good. Fortunately, much of the book and in particular its concluding chapter serves as at least a strong qualification of this posture. Though holding out no hope for redemption or a final release from sin and evil, Lyman’s effort would seem to have a commendable melioristic aim. He is concerned, however, to avoid what is for him the besetting sin of contemporary sociology—the attempt to present a sociological blueprint for earthly happiness. Lyman would like to see sociology respect "the social visions that the reason of ordinary people produces," while neither applauding nor opposing them. "The sociological task would then be to describe the processes of social architectonics, and not to build the new society in advance of them." It is evident that Lyman wishes to avoid explaining away sin or reducing it to psychological or societal deviance but it would have been helpful to have had some suggestion of his ontology or metaphysics of sin. The "reality" of sin and evil remains unclarified throughout these analyses. The citations from Homer, Augustine, Gregory the Great, Dante, and other such figures are presented without irony or condescension. Now it may be possible to distill psychological and sociological insights from these thinkers while rejecting or ignoring their theological dimensions. To do so, however, involves a process of abstraction and a contextualism which hardly leaves the phenomena as presented by these thinkers untouched and unchanged. Hence, it would seem that some justification for the "sin" character of these actions in their contemporary milieu is called for. Lyman hints that he is unhappy with the neutralization of sin resulting from contemporary social science. What is not clear is whether he rejects the naturalistic assumptions which undergird and indeed make inevitable such neutralizing interpretations. The background assumption of Lyman’s study is a Nietzschean-like "sociology of the absurd" which presupposes "a world that is ultimately and essentially without meaning" but is made meaningful "by the actions and beliefs of the people who participate in it." This is, of course, a radically different world than the one within which the sin-evil language emerged and gave this language its depth and significance. One aspect of Lyman’s continuing task, therefore, would be to show how it is possible to speak meaningfully of sin and evil when the belief in a transcendent which constituted these phenomena in their classical modes is absent. Nietzsche’s challenge must be faced: after the "death of God" we can still speak of "good and bad" but can we any longer speak of "good and evil"?—E.F. (shrink)

In Losing Our Virtue: Why the Church Must Recover Its Moral Vision, theologian David Wells argues that the Church is in danger of losing its moral authority to speak to a culture whose moral fabric is torn. Although much of the Church has enjoyed success and growth over the past years, Wells laments a "hollowing out of evangelical conviction, a loss of the biblical word in its authoritative function, and an erosion of character to the point that today, (...) no discernible ethical differences are evident in behavior when those claiming to have been reborn and secularists are compared." The assurance of the Good News of the gospel has been traded for mere good feelings, truth has given way to perception, and morality has slid into personal preference. Losing Our Virtue is about the disintegrating moral culture that is contemporary society and what this disturbing loss means for the church. Wells covers the following in this bold critique: how the theologically emptied spirituality of the church is causing it to lose its moral bearings; an exploration of the wider dynamic at work in contemporary society between license and law; an exposition of the secular notion of salvation as heralded by our most trusted gurus -- advertisers and psychotherapists; a discussion of the contemporary view of the self; how guilt and sin have been replaced by empty psychological shame; an examination of the contradiction between the way we view ourselves in the midst of our own culture and the biblical view of persons as created, moral beings. Can the church still speak effectively to a culture that has become morally unraveled? Wells believes it can. In fact, says Wells, no time in this century has been more opportune for the Christian faith -- if the church can muster the courage to regain its moral weight and become a missionary of truth once more to a foundering world. - Publisher. (shrink)